Archaeology in the Context of War: Legal Frameworks for Protecting Cultural Heritage during Armed Conflict

Transcription

1 FORUM Archaeologies: Journal of the World Archaeological Congress (Ó 2009) DOI /s Archaeology in the Context of War: Legal Frameworks for Protecting Cultural Heritage during Armed Conflict Patty Gerstenblith, DePaul University College of Law, 25 E. Jackson Blvd, Chicago, IL 60604, USA ABSTRACT International law provides for a framework for protecting cultural heritage during armed conflict and for punishing those who transgress these principles. If understood within its limitations of dependence on state ratification and enforcement, international law protects cultural heritage by providing guidelines to those who wish to conform and by punishing after the fact those who deliberately destroy cultural heritage. Recent movement toward ratification of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and its protocols by the major military powers should afford greater protection to cultural heritage in future conflicts. ARCHAEOLOGIES Volume 5 Number 1 April 2009 Résumé: Le droit international fournit un cadre pour la protection d un héritage culturel lors d un conflit armé et punit ceux qui transgressent ces principes. Si ceci est compris comme ayant fait l objet d une ratification et d une mise en application par les États, le droit international protège de façon effective un héritage culturel en fournissant des directives à tous ceux qui souhaitent s y conformer et en punissant après-coup ceux qui s y sont délibérément soustraits. Une avancée récente pour la ratification de la disposition promulguée lors de la convention de la Hague datant de 1954, en vue de la protection de la propriété culturelle en cas de conflit armé ainsi que ses protocoles, s ils sont observés par les puissances militaires majeures, devraient offrir une plus grande protection de l héritage culturel dans de futurs conflits. Resumen: Le legislación internacional establece un marco legal para proteger el patrimonio cultural durante los conflictos armados y para castigar a los que vulneran estos principios. Pese a que depende de la aprobación y la ejecución del estado, la legislación internacional protege el patrimonio cultural facilitando orientación a aquellos que desean cumplir 18 Ó 2009 World Archaeological Congress

2 Legal Frameworks for Protecting Cultural Heritage during Armed Conflict 19 con la legislación y castigando a los que destruyen deliberadamente al patrimonio cultural. Las recientes iniciativas para ratificar el Convenio de la Haya de 1954 para la Protección de los Bienes Culturales en Caso de Conflicto Armado y sus Protocolos, firmados por las grandes potencias militares, debería contribuir a proteger el patrimonio cultural en futuros conflictos. KEYWORDS 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, Cultural heritage, Preservation, International law Introduction The looting and destruction of cultural heritage during and in the wake of warfare have a long history, going back even to ancient times. Cultural looting served to emphasize to the defeated the loss of their political, cultural and religious freedom and it demonstrated the might of the conqueror in asserting its cultural dominance. The effects of cultural looting are well illustrated in the depiction on the Arch of Titus in Rome of the triumphal procession in which the Menorah taken from the Second Temple in Jerusalem at the time of its destruction in 70 C.E. was carried through the streets of Rome (Miles 2008). However, even in antiquity, some Roman authors, particularly Cicero, expressed ambivalence concerning the extent to which cultural and religious works could be plundered without offending religious or moral principles with respect to greed and corruption. As the European concept of a law of warfare began to develop in the sixteenth and later centuries, legal commentators were divided as to whether cultural sites and objects are legitimate war booty or whether they are a distinct form of protected property. At the turn of the nineteenth century, Napoleon rejected these scruples and looted artworks and other cultural objects from throughout Europe as well as Egypt. Again, French artists expressed ambivalence some lauded this transfer of artworks to Paris for rescuing them for the benefit of both the French and other peoples of Europe; others, particularly the architectural theorist Antoine- Chrysostôme Quatremère de Quincy, objected, arguing that cultural objects belonged and were best understood within their original contexts. Following Napoleon s defeat, the Duke of Wellington established a new modern precedent in that he refused to take cultural objects from France as war booty and instead insisted that the French return to their nations of origin

3 20 PATTY GERSTENBLITH cultural objects taken during the Napoleonic Wars. Even so, only about half of the objects taken by Napoleon were returned, thus laying the groundwork for future claims, and France was not required to make restitution to non-european nations, particularly Egypt. This precedent was followed in the first codification of a law of warfare. A Prussian soldier and classicist, who had been present at the Battle of Waterloo, later became a law professor at Columbia University. President Abraham Lincoln asked Francis Lieber to draft a code of conduct during warfare for the United States army during the Civil War. Known as the Lieber Code, these rules for conduct included provisions to protect [c]lassical works of art, libraries, scientific collections, or precious instruments from all avoidable injury and to prevent appropriation of the property of charitable institutions including museums of the fine arts. Many of these principles were picked up in the 1899 and 1907 Hague Conventions with Respect to the Laws and Customs of War on Land, the first international treaties to make specific provision with respect to protecting cultural property during warfare. These conventions require the protection of buildings dedicated to religion, art, science, or charitable purposes, historic monuments, hospitals from bombardment and seizure so long as they are not being used for military purposes and prohibit seizure, destruction or willful damage to institutions dedicated to religion, charity and education, the arts and sciences, historic monuments, and works of art and science. The Hague Conventions require the marking of protected buildings with a distinctive emblem, known as the Blue Shield, so as to give warning to a would-be attacker. Another provision of the Conventions imposes a more generalized obligation on an occupying power to preserve and safeguard the value of immovable property, as well as ensure the safety and security of the local populations in occupied territory. These treaties are particularly important because all the major combatants during both world wars, including the United States, were parties to these treaties. While it is disappointing that these treaties were unable to prevent the cultural devastation wreaked on Europe, particularly during the Second World War, and international conventions are routinely criticized for their apparent ineffectiveness in preventing such destruction, the conventions serve an important role in punishing, even if after the fact, those who violate their directives. At the end of World War I, Germany was required to make reparations to France, Belgium and other countries for damage caused to cultural sites and monuments. Even more to the point, at the end of the Second World War, some of the Nazi leadership were prosecuted and executed for violations of the Hague Conventions in destroying and appropriating cultural objects, while the conventions also served as the basis for the restitutions of stolen cultural objects. These restitutions are still continuing today, although their basis is more typically

4 Legal Frameworks for Protecting Cultural Heritage during Armed Conflict 21 private law, providing for the return of stolen or expropriated private property to the proper owner, rather than public international law. The 1954 Hague Convention and its Protocols Following the devastation of World War II, the international community established institutions, such as the United Nations, that were intended to avert such disasters in the future, and promulgated a series of international humanitarian conventions, including the 1954 Hague Convention on the Protection of Cultural Property in the Event of Armed Conflict. Although it was based on the earlier Hague Conventions, the 1935 Roerich Pact, and a draft convention started before World War II, the 1954 Hague Convention was the first convention to exclusively address cultural property. The Hague Convention begins with a preamble asserting the universal value of cultural property whereby we are all diminished when cultural property, situated anywhere in the world, is damaged or destroyed. The phrasing of the preamble draws on a tradition that imposes obligations on nations to care for the cultural property within their borders during both peacetime and military conflict. In Article 1, the Convention defines cultural property to include movable or immovable property of great importance to the cultural heritage of every people, such as monuments of architecture, art or history, whether religious or secular; archaeological sites; groups of buildings which, as a whole, are of historical or artistic interest; works of art; manuscripts, books and other objects of artistic, historical or archaeological interest; as well as scientific collections and important collections of books or archives. Also included in the definition are buildings whose purpose is to preserve or exhibit cultural property, including museums, libraries, and archives, as well as refuges intended to shelter cultural property during armed conflict. The core principles of the 1954 Hague Convention are the requirements to safeguard and to respect cultural property. Article 3 defines the safeguarding of cultural property nations have the obligation to safeguard cultural property by preparing during peace to protect it from the foreseeable effects of an armed conflict. Article 4 addresses the respect that should be shown to cultural property during armed conflict. The first provision calls on nations to respect cultural property located in their own territory and in the territory of other parties to the Convention by refraining from using the cultural property for purposes which are likely to expose it to destruction or damage during armed conflict and by refraining from directing any act of hostility against such property. Unfortunately, the next provision provides for a waiver of these obligations where military necessity imperatively requires such a waiver. The Convention is unclear as to

5 22 PATTY GERSTENBLITH what is meant by military necessity. While there have been some attempts to define it, there is no universal agreement and it has been argued that this provision, as an expression of national self-interest, may significantly undermine the value of these provisions. The third paragraph of Article 4 had received virtually no commentary or interpretation until after the looting of the Iraq Museum in Baghdad in April The provision states that parties to the Convention undertake to prohibit, prevent and, if necessary, put a stop to any form of theft, pillage, or misappropriation of, and any acts of vandalism directed against, cultural property. When read literally, it seems to impose an obligation on nations to prevent any form of theft or pillage, even if it is being carried out by the local population. However, for reasons that I have explained more fully elsewhere (Gerstenblith 2006: ), this provision most likely refers only to an obligation to prevent acts of theft, pillage and misappropriation carried out by members of the nation s own military. In particular, because there is no caveat stating that the obligation extends only to what is feasible or practical under the circumstances and given the post-world War II context in which the Convention was written, it seems very unlikely that the drafters intended to impose a blanket obligation during conflict. However, it is perfectly reasonable to expect nations to control the conduct of their own military and to provide for punishment of those who violate such restrictions. The final provisions of Article 4 prohibit the requisitioning of cultural property and acts of reprisal taken against cultural property. Article 5 turns to the obligations of an occupying power and, in contrast to the realities of the aftermath of the 2003 Gulf War, these seem very limited. The primary obligation of an occupying power is to support the competent national authorities of the occupied country in carrying out their obligations to preserve and safeguard its cultural property. The only affirmative obligation imposed is to take the most necessary measures of preservation for cultural property damaged by military operations and only if the competent national authorities are unable to take such measures themselves. The primary value promoted by this provision is one of noninterference in other words, the occupying power should interfere as little as possible with the cultural heritage of occupied territory and only when the local authorities are unable to do so. Any actions taken by the occupying power should be done only in concert with the competent national authorities whenever and to the extent possible. The Convention also provides special protection for centers with monuments, immovable cultural property and repositories of moveable cultural property (Articles 8 11), but this mechanism has rarely been used. Cultural property under special protection is supposed to be immune from any act of hostility except in exceptional cases of unavoidable military necessity

6 Legal Frameworks for Protecting Cultural Heritage during Armed Conflict 23 or if the property or its surroundings are used for military purposes. Article 6 provides for the marking of cultural property with the Blue Shield symbol. Article 7 requires parties to the Convention to introduce into their military regulations and instructions provisions to ensure observance of the Convention and to foster a spirit of respect for the culture and cultural property of all peoples. It also requires nations to plan or to establish within their armed forces, services or specialist personnel whose purpose is to secure respect for cultural property and to co-operate with the civilian authorities responsible for safeguarding cultural property. At the same time as the writing of the Convention, the First Protocol was written to address the disposition of movable cultural property. These provisions were separated from the main Convention at the request of the United States and other Western nations which were reluctant to restrict the flow of cultural objects. The First Protocol consists of two parts; when ratifying the First Protocol, nations can opt out of one section or the other. The first section requires occupying powers to prevent the export of cultural property from occupied territory, take into their custody any cultural property in their territory that has been illegally exported from occupied territory, and to return such cultural property to the competent authorities of formerly occupied territory at the end of hostilities. If such cultural property must be returned, the occupying power that had the responsibility to prevent the export from occupied territory must pay an indemnity to the holder in good faith of the cultural property. The second section of the First Protocol requires nations that take cultural objects into custody during conflict for the purpose of protecting them to return the objects at the conclusion of hostilities. The First Protocol was not popular with the major art market nations of Western Europe and the United States and has been ratified by fewer nations than the main Convention (O Keefe 2004: ). After four decades of experience with the Convention and particularly the experiences during the Balkan Wars, UNESCO undertook the writing of the Second Protocol, which was completed in 1999 and came into effect in 2004 (Boylan 1993). The Second Protocol accomplishes five primary goals: it narrows the circumstances in which the military necessity waiver can apply; it requires nations to establish a criminal offense for serious violations of the Convention, including responsibility for those in higher command; it requires the avoidance or minimization of collateral damage to cultural property; it requires that the justification for a legitimate military action that might cause damage to cultural property must be proportionate to the damage that may result, and it clarifies the non-interference principle that is, that occupying powers should not interfere with or destroy the cultural or historical evidence of occupied territory and should not conduct archaeological excavations, unless necessary to preserve the

7 24 PATTY GERSTENBLITH historical record, and that occupying powers have an obligation to prevent illegal export of cultural property from occupied territory. At this time, there are 121 States Parties to the main Convention, 100 States Parties to the First Protocol, and 51 States Parties to the Second Protocol. The United States and the United Kingdom signed the main Convention in 1954 but had not ratified it as of the time of the 2003 Gulf War. Neither country has signed either of the Protocols. At this point, it is necessary to explain the significance of signature and ratification of an international convention or treaty. When a nation signs a treaty, it signifies its intention to ratify it and indicates that it will not act contrary to the provisions of the convention. However, the convention is not legally binding on the nation until it completes the formal ratification process, which differs from nation to nation. In addition, when a nation ratifies a convention, it can indicate whether it views the convention as self-executing or executory in nature. If a convention is self-executing, then its provisions become binding on the nation. If, however, a nation views a convention as executory, then domestic implementing legislation is required, and the convention is binding only to the extent and in the manner delineated in the implementing legislation. This undoubtedly causes a considerable amount of confusion as to the requirements of conventions and which and what provisions are binding on particular nations. An additional complication is the role of customary international law. Customary international law develops based on customary usage and conduct among a large number of nations and the statements and actions of particular nations, especially those nations that may be considered bound by customary international law. Soon after the United States signed the main Convention, the United States military raised objections to ratification based on the developing Cold War. It was not until the collapse of the Soviet Union in the late 1980s and early 1990s that the U.S. military again supported ratification. Despite this objection, the United States views several of the core provisions of the main Convention as part of customary international law. These core provisions include an obligation to avoid targeting cultural sites, subject to the military necessity waiver and except in situations where the opposing nation is using the cultural site for military or strategic purposes. The United States further views its military as subject to the prohibitions of Article 4, paragraph 3 that is, members of the United States military must refrain from engaging in theft, pillage and misappropriation of cultural property. Beyond these core principles, however, it is difficult to determine what other provisions of the main Convention and the two protocols are part of customary international law. In addition to the Hague Convention and its Protocols, other international instruments aim to protect cultural property. For example, Article 53 of Additional Protocol I of the 1977 Protocols to the 1949 Geneva

8 Legal Frameworks for Protecting Cultural Heritage during Armed Conflict 25 Conventions states it is prohibited (a) to commit any acts of hostility directed against the historic monuments, works of art or places of worship which constitute the cultural or spiritual heritage of peoples; (b) to use such objects in support of the military effort; (c) to make such objects the objects of reprisals. Similar provisions appear in Protocol II to the Geneva Conventions, but these are focused more explicitly on conflicts of a noninternational character. Finally, article 8 of the Rome Statute of the International Criminal Court includes among its serious violations, intentionally directing attacks against buildings dedicated to religion, education, art, science or charitable purposes [and] historic monuments provided they are nonmilitary objectives. Another drawback of international law is the difficulty of applying it. International organizations, with the exception of UNESCO peacekeepers authorized by the Security Council, rarely (or never) have troops available to enforce the strictures of international law. In many situations, therefore, particularly where international humanitarian law is at stake, the existence of international restrictions does not necessarily result in preventing the harm that the international law is intended to prevent. However, international humanitarian law does often provide effective punishment after-thefact, particularly as in the cases of the Nuremberg Trials following World War II and the International Criminal Tribunal for the former Yugoslavia, which is prosecuting many of the former Serbian leaders who perpetrated crimes against humanity during the Balkan Wars of the 1990s. At the end of World War II, Alfred Rosenberg, who headed the Einsatzstab des Reichsleiter Rosenberg, the Nazi unit that engaged in systematic art looting and confiscation, was prosecuted during the Nuremberg Trials for conspiracy to commit crimes against peace, planning, initiating and waging wars of aggression, war-crimes, and crimes against humanity. He was convicted for his involvement with this system of organized plunder of both public and private property throughout the invaded countries and ultimately was executed. During the Balkan Wars, cultural monuments were specifically targeted for military attack. Churches and mosques, as well as symbols of ethnic diversity and cultural history, such as the ancient Roman city of Dubrovnik, the Sarajevo Library, and the Neretva Bridge in Mostar, were destroyed as part of a policy of ethnic cleansing. At the conclusion of the Balkan Wars, the International Criminal Tribunal for the former Yugoslavia (ICTY) was established to prosecute war criminals. The ICTY operates under a special Statute created for this purpose and relies on both customary international law and the earlier Hague Conventions for prosecutions for the destruction of cultural property. Article 3(d) of the Statute states that seizure of, destruction or wilful damage done to institutions dedicated to religion, charity and education, the arts and sciences, historic

9 26 PATTY GERSTENBLITH monuments and works of art and science are violations of the laws or customs of war. The earlier Hague Conventions and the 1954 Convention are referenced in some of the individual prosecutions as forming a part of customary international law. Article 27 of the 1907 Hague Regulations, the 1954 Hague Convention, Article 53 of Additional Protocol I, and Article 16 of Additional Protocol II are cited as sources in international customary and treaty law to define the elements of the offense in Article 3(d) of the ICTY. The first defendant, Pavle Strugar, was convicted in 2005 for the intentional attack on the Old Town of Dubrovnik, a World Heritage Site, as well as for other war crimes. International Law and Paradigms of Cultural Destruction In evaluating the role that international law in general and the 1954 Hague Convention and its protocols, more specifically, can play in protecting cultural heritage during armed conflict, it may be useful to consider the different types of damage and destruction that can be done and to assess which are susceptible to deterrence through international law. The first cause of damage is intentional actions taken regardless of whether the damage and destruction are contrary to international law. International law clearly prohibits the intentional targeting of or attacks aimed against cultural sites and monuments, as well as the theft and misappropriation of cultural objects by a military force engaged in combat. It is clear that the destruction and thefts perpetrated by the Nazis during World War II and the destruction wreaked by some of the Serb leaders on cultural sites during the Balkan wars were knowingly done in violation of international law, and international law was unable to prevent these actions. Such intentional violations of international law were carried out in the context of armed conflict where many other of the humanitarian laws of warfare were also violated. Furthermore, there is as yet no international mechanism for enforcing humanitarian law and there is not likely to be in the foreseeable future. However, as was previously discussed, those who perpetrated war crimes through destruction and theft of cultural property were punished after the end of hostilities. Whether such punishment will serve as an effective deterrent to future violations is not known, but such punishment serves other functions, such as a retributive function as well as perhaps as part of a reconciliation process through acknowledgment of the importance of cultural property to the identity and historical self-understanding of people who have been devastated during armed conflict. The second cause of damage to cultural property can be collateral damage which is the result of targeting of legitimate military objectives. Observance of international law does not always prohibit targeting of military

10 Legal Frameworks for Protecting Cultural Heritage during Armed Conflict 27 objectives where such collateral damage may result. However, as targeting precision capabilities have improved, damage from this cause is less likely to occur. Furthermore, the Second Protocol requires nations to balance the value of the military objective in proportion to the amount of damage to cultural sites that is likely to result. Finally, if a nation follows the requirements of the Convention to maintain within their militaries cultural heritage professionals and to educate non-professionals about cultural heritage issues, then the likelihood of such damage will also decrease. The area where the Hague Convention and other principles of international law could have the greatest impact in protecting cultural property is the third cause of damage unintentional damage resulting from ignorance rather than intentional actions. Unintentional interference with cultural sites most typically occurs during periods of occupation, which can last for a considerable period of time, rather than during active hostilities. Examples of such interference include the building or rebuilding of an occupied territory s infrastructure and the construction of facilities for the occupying power. Examples of both of these types of interference occurred during and after the occupation of Iraq in 2004 by the United States and other coalition parties. Both the main Convention and the Second Protocol embody a principle of non-interference that an occupying power should not interfere with the cultural heritage of occupied territory except under very limited circumstances and only with the assistance of the local cultural authorities to the fullest extent possible. Following these provisions is likely to reduce the circumstances in which an occupying power interferes with another nation s cultural heritage in unacceptable ways that is, ways intended to obscure or destroy that cultural heritage. The likelihood of interference that is the result of ignorance is also reduced through the educational efforts that are required by the Convention. A military that is better informed as to the value of cultural heritage and as to the specifics of the cultural heritage of an occupied territory (such as the location of sites and monuments) will be less likely to cause unintended harm. However, when interference with the cultural heritage of occupied territory is done intentionally to obliterate or manipulate the cultural history of the occupied people, it is unlikely that international law will serve as much of a deterrent. The fourth type of destruction is caused by the looting of institutions and sites to obtain cultural objects. This is sometimes done for the purpose of depriving the local population of its cultural heritage but is often done, sometimes even by the local population, for the purpose of selling such objects on the international market. Illegal removal and international movement of cultural objects are regulated through the First Protocol, the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property,

11 28 PATTY GERSTENBLITH and the provisions of the 1907 and 1899 Hague Conventions that require maintenance of security and protection of property for civilian populations during occupation. However, the effectiveness of these instruments is dependent on a patchwork of national legislation implementing these provisions and falls outside the scope of this article. Recent Developments The situation with respect to ratification and implementation of the Hague Convention is in the process of radical change. In 2004, on the Convention s 50th anniversary, the United Kingdom announced its intention to ratify the Convention. Following release of a Consultation Paper and opportunity for public comment, in January 2008, the United Kingdom released its draft legislation for implementation of the Convention and both Protocols. This legislation is notable for establishing, in line with the requirements of the Second Protocol, a criminal offense for serious breaches of the Convention and of the Second Protocol, including liability for those in command. The legislation also implements the First Protocol by establishing a criminal offense for a person who deals in cultural property illegally exported from occupied territory knowing or having reason to suspect that it has been unlawfully exported. New Zealand is rapidly following suit and implementing legislation for all three instruments was introduced in Parliament in the beginning of September Germany became the first nation to adopt implementing legislation for the First Protocol when it passed legislation in 2007 that implemented the First Protocol along with the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property. This legislation applies retroactively to objects removed from occupied territory after 1967, when Germany ratified the Protocol. Although the United States signed the Convention in 1954, it took no further action throughout the Cold War because of objections from the military. With the collapse of the Soviet Union, the U.S. military withdrew its objections. President Clinton transmitted the Convention and First Protocol to the Senate Foreign Relations Committee in 1999, but no action was taken until the State Department placed them on its treaty priority list in early The Senate Foreign Relations Committee held hearings in April 2008 and the Senate voted to ratify the Convention in September The United States will become a party to the Convention 3 months after its instrument of ratification is deposited. United States ratification was subject to four understandings and one declaration. The First Understanding states that the level of protection

12 Legal Frameworks for Protecting Cultural Heritage during Armed Conflict 29 accorded to property under special protection is one that is consistent with existing customary international law. The Second Understanding clarifies that the action of any military commander or other military personnel is to be judged based on the information that was reasonably available at the time an action was taken. The Third Understanding clarifies that the rules of the Convention apply only to conventional weapons and do not affect other international law concerning other types of weapons, such as nuclear weapons. The Fourth Understanding states that the provisions of Article 4(1) requiring Parties to respect cultural property situated within their own territory means that the primary responsibility for the protection of cultural objects rests with the Party controlling that property, to ensure that it is properly identified and that it is not used for an unlawful purpose. The Declaration states that the Convention is self-executing, meaning that it operates of its own force as domestically enforceable federal law. It does not require any implementing legislation, but the Declaration also notes that the Convention does not confer any private rights enforceable in U.S. courts (Senate Foreign Relations Committee 2008). While U.S. policy has been to follow the principles of the Convention, ratification will bring many advantages. It will raise the imperative of protecting cultural heritage during conflict, including the incorporation of heritage preservation into all phases of military planning, will clarify the United States obligations, and will encourage the training of military personnel in cultural heritage preservation and the recruitment of cultural heritage professionals into the military. Perhaps most importantly, ratification sends a clear signal to other nations that the United States respects their cultural heritage and will facilitate U.S. cooperation with its allies and coalition partners in achieving more effective preservation efforts in areas of armed conflict. Conclusion While the 2003 Gulf War caused devastating losses to Iraq s cultural heritage, far beyond that sustained in the looting of the Iraq Museum, the war also seems to have provided the needed impetus for several of the major military powers to finally take action to ratify and implement the 1954 Hague Convention. Unlike the United Kingdom, which is addressing all three instruments at the same time, the United States has not moved on either of the two protocols. Such action will await review by the appropriate executive agencies. However, the same motivations for ratification of the main Convention apply to ratification of the two protocols. In particular, the United States will be left in a situation in which its closest military allies will be subject to differing legal requirements as to how to protect cultural heritage during armed conflict and occupation. It is to be hoped

13 30 PATTY GERSTENBLITH that the United States will soon follow suit so that it can continue to demonstrate its commitment to preserving the world s cultural heritage. References Cited Boylan, P. J Review of the Convention for the Protection of Cultural Property in the Event of Armed Conflict (The Hague Convention of 1954), UNESCO Doc. CLT-93/WS/ Gerstenblith, P From Bamiyan to Baghdad: Warfare and the Preservation of Cultural Heritage at the Beginning of the 21st Century. Georgetown Journal of International Law 37: Miles, M. M Art as Plunder: The Ancient Origins of Debate about Cultural Property. Cambridge University Press, New York. O Keefe, P. J The First Protocol to the Hague Convention Fifty Years On. Art, Antiquity and Law 9: Senate Foreign Relations Committee th Congressional 2nd Session Executive Report , available at: reports&docid=f:er026.pdf. Bibliography of Recent Literature Chamberlain, K War and Cultural Heritage. Institute of Art and Law, Leicester. Emberling, G., and K. Hanson (editors) Catastrophe! The Looting and Destruction of Iraq s Past. Oriental Institute of the University of Chicago, Chicago. O Keefe, R The Protection of Cultural Property in Armed Conflict. Cambridge University Press, New York. Polk, M., and A. M. H. Schuster The Looting of the Iraq Museum, Baghdad. Harry N. Abrams Inc., New York.

14 Legal Frameworks for Protecting Cultural Heritage during Armed Conflict 31 Rothfield, L. (editor) Antiquities under Siege: Cultural Heritage Protection after the Iraq War. AltaMira Press, Walnut Creek, CA. Stone, P. G., and J. Farchakh Bajjaly (editors) The Destruction of Cultural Heritage in Iraq. The Boydell Press, Woodbridge. Toman, J The Protection of Cultural Property in the Event of Armed Conflict. Dartmouth Publishing Co., Brookfield, Vermont.

15 本文献由 学霸图书馆 - 文献云下载 收集自网络, 仅供学习交流使用 学霸图书馆 ( 是一个 整合众多图书馆数据库资源, 提供一站式文献检索和下载服务 的 24 小时在线不限 IP 图书馆 图书馆致力于便利 促进学习与科研, 提供最强文献下载服务 图书馆导航 : 图书馆首页文献云下载图书馆入口外文数据库大全疑难文献辅助工具