The Creative Europe Programme

Similar documents
European Heritage Label. Culture

European Year of Cultural Heritage 2018 Questions and Answers

Digital Cultural Heritage and Europeana

Cultural Heritage and the EU

EUROPEAN HERITAGE LABEL GUIDELINES FOR CANDIDATE SITES

Gerald Colleaux DG EAC D2 Creative Europe.

DGE 1 EUROPEAN UNION. Brussels, 8 May 2017 (OR. en) 2016/0259 (COD) PE-CONS 10/1/17 REV 1 CULT 20 EDUC 89 RECH 79 RELEX 167 CODEC 259

EUROPEAN HERITAGE LABEL GUIDELINES FOR CANDIDATE SITES

BARCELONA DECLARATION OF TOURISM AND CULTURAL HERITAGE: BETTER PLACES TO LIVE, BETTER PLACES TO VISIT

Evaluation of the European Heritage Label Action

FAST FORWARD HERITAGE

5th European Conference of Ministers responsible for the cultural heritage. 5th European Conference of Ministers, Council of Europe

Committee on Foreign Affairs Committee on Culture and Education. on Towards an EU strategy for international cultural relations (2016/2240(INI))

DECISION OF THE EUROPEAN PARLIAMENT AND OF THE

- specific priorities for "Democratic engagement and civic participation" (strand 2).

AGREEMENT ON CULTURAL COOPERATION BETWEEN THE EUROPEAN UNION AND ITS MEMBER STATES, OF THE ONE PART, AND COLOMBIA AND PERU, OF THE OTHER PART

Living Together in a Sustainable Europe. Museums Working for Social Cohesion

The 75th Anniversary Commemoration Initiative: Help Liberation Route Europe Keep the Memory of World War II Alive

INDUSTRIAL HERITAGE AND AGRI/RURAL TOURISM IN EUROPE

The text of the above Council Conclusions meets now with the agreement of all delegations.

COMMISSION REPORT TO THE EUROPEAN PARLIAMENT, THE COUNCIL, THE EUROPEAN ECONOMIC AND SOCIAL COMMITTEE AND THE COMMITTEE OF THE REGIONS

QUESTIONNAIRE ON RAISING AWARENESS ABOUT INTANGIBLE CULTURAL HERITAGE

13647/1/15 REV 1 MM/lv 1 DG E - 1C

Civil society and cultural heritage in the Mediterranean - Introduction

Horizon 2020 Societal Challenge 6 'Europe in a changing world Inclusive, innovative and reflective societies Discussions Overview

Online Linguistic Support for Refugees Frequently Asked Questions for Erasmus+ Beneficiaries

FUNDAMENTAL RIGHTS FORUM

COUNCIL OF EUROPE COMMITTEE OF MINISTERS

Prague shared and divided Promoting the multicultural history of Prague

COMMISSION OF THE EUROPEAN COMMUNITIES

IFSW Europe e.v. Work Programme

summary fiche The European Social Fund: Women, Gender mainstreaming and Reconciliation of

REPORT FROM THE COMMISSION TO THE EUROPEAN PARLIAMENT, THE COUNCIL, THE EUROPEAN ECONOMIC AND SOCIAL COMMITTEE AND THE COMMITTEE OF THE REGIONS

European tourism policy and financial instruments. Bruxelles, June 19, 2014

EU response to the illicit trade in cultural goods

DECLARATION ON SECURITY AND CO-OPERATION IN THE MEDITERRANEAN

Agreed Conclusions of the third Euro-Mediterranean Conference of Ministers of Culture Athens, May 2008

Regional Programming Civil Society Facility Horizontal Issues

Ohrid Regional Strategy for Cultural Cooperation in South East Europe

In Fitting Memory. Sybil Milton, Ira Nowinski. Published by Wayne State University Press. For additional information about this book

ON THE OCCASION OF THE CELEBRATION OF THE INTERNATIONAL DAY OF MONUMENTS AND WORLD CULTURAL HERITAGE SITES

CHAIRMAN S STATEMENT

The Great Escape and the Shetland bus - two sides of the coin that shaped the 1951 UN Convention on Refugees

Achievements of the 2017/18 Hungarian Presidency

POLAND 1. CULTURAL EMPLOYMENT IN FIGURES (2005) 2. RECENT DEBATES ON THE MOBILITY OF CULTURAL PROFESSIONALS

PROPOSAL FOR A NON-BINDING STANDARD-SETTING INSTRUMENT ON THE PROTECTION AND PROMOTION OF VARIOUS ASPECTS OF THE ROLE OF MUSEUMS AND COLLECTIONS

COMMISSION IMPLEMENTING DECISION. of

TEXTS ADOPTED Provisional edition. Destruction of cultural sites perpetrated by ISIS/Da'esh

UNIVERSAL FORUM OF CULTURES 2007 IN MONTERREY, MEXICO OUTLINE

REPORT FROM THE COMMISSION TO THE EUROPEAN PARLIAMENT, THE COUNCIL, THE EUROPEAN ECONOMIC AND SOCIAL COMMITTEE AND THE COMMITTEE OF THE REGIONS

Priorities, Programmes and Conferences in the field of Culture dedicated to the German EU- Presidency

COUNCIL OF EUROPE PROGRAMME OF

The Tourist Image of Hungary 1

ACTION FOR A CHANGING SOCIETY

Audrey Azoulay Candidate for the post of Director-General of UNESCO

UK EMN Ad Hoc Query on settlement under the European Convention on Establishment Requested by UK EMN NCP on 14 th July 2014

COUNCIL OF EUROPE CULTURAL ROUTES

ESPON 2020 Cooperation. Statement. April Position of the MOT on the EU public consultation of stakeholders on the ESPON 2020 Cooperation

COUNCIL OF THE EUROPEAN UNION. Brussels, 16 March 2004 (17.03) (OR. fr) 7352/04 JEUN 17 CULT 20 AUDIO 10 SOC 126 COVER NOTE

Annex 1 Eligible Priority Sectors and Programme Areas Norwegian Financial Mechanism

Territorial indicators for policy purposes: NUTS regions and beyond

Having in mind Responsible

Europa Nostra The Voice of Cultural Heritage in Europe

The European Union in a Global Context

SEMINARS FOR EXPERTS AND THE GENERAL PUBLIC

FUNDAMENTAL RIGHTS FORUM

The EU Macro-regional Strategies relevant for Western Balkans, with specific Focus on the Environmental Issues

COMMISSION DECISION. of setting up the Expert Group on Digital Cultural Heritage and Europeana

The European Commission s science and knowledge service

BRIEF SUBMITTED BY RDÉE ONTARIO IN CONNECTION WITH THE CANADIAN HERITAGE CONSULTATIONS ON THE NEXT ACTION PLAN ON OFFICIAL LANGUAGES

EU Ukraine Association Agreement Quick Guide to the Association Agreement

The Historical Evolution of International Relations

DIASPORA POLICY IN LITHUANIA: BUILDING BRIDGES AND NEW CONNECTIONS

PROTOCOL ON CULTURAL COOPERATION 1015

Project HEURIGHT14 Presentation

PRIORITIES OF THE GERMAN OSCE CHAIRMANSHIP 2016

1. Which of the following leaders transformed the Soviet Union from a rural nation into an industrial power? A. Stalin B. Hitler C. Lenin D.

Migration in employment, social and equal opportunities policies

Education, Youth, Culture and Sport Council. Brussels, May 2016

History overview - Individuals and societies

Basic Texts. of the 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions 2017 EDITION

SHARING DIVERSITY National Approaches to Intercultural Dialogue (ICD)

INTERNATIONAL COUNCIL ON MONUMENTS AND SITES STATUTES ICOMOS (PAKISTAN)

The Association Agreement between the EU and Moldova

Keynote Speech at the High Level Forum on Museums

Marshall Plan: A U.S. recovery plan that offered money to help European countries rebuild after WWII.

Economic and Social Council

This is the Ministry of Culture

Anna Lindh News CONTENTS: May FEATURES May

COMPENDIUM SHORT PROFILE: CZECH REPUBLIC

THE COLD WAR Learning Goal 1:

THE LEGAL TOOLS FOR WORLD HERITAGE CONSERVATION SIENA CONCLUSIONS OF THE INTERNATIONAL WORKSHOP

Fifth session Paris, UNESCO Headquarters, Room XI May Item 8 of the Provisional Agenda: Actions taken by UNESCO s Partners

National Magazine Awards

POLICYBRIEF SOLIDUS. SOLIDARITY IN EUROPEAN SOCIETIES: EMPOWERMENT, SOCIAL JUSTICE AND CITIZENSHIP

The End of the WWI [and the] Beginnings of a New Canadian Identity

COUNCIL OF EUROPE CONTRIBUTION TO THE UNITED NATIONS 2030 AGENDA FOR SUSTAINABLE DEVELOPMENT

DECLARATION ON INTERCULTURAL DIALOGUE AND CONFLICT PREVENTION

RE: MIGRANT AND REFUGEE INTEGRATION: GREATER LONDON AUTHORITY

The National Council of the Slovak Republic has adopted the following act: Article I. 1 Scope of act. 2 Basic concepts

Transcription:

2014-2020 The Creative Europe Programme Brussels, 3 July 2018 Hughes Becquart European Commission

WHAT IS CREATIVE EUROPE? Dedicated EU programme for cultural & creative sectors 7 years (2014-2020) Help safeguard Europe's cultural & linguistic diversity Strengthen competitiveness of European cultural & creative sectors 2014-2020

CROSS SECTORAL STRAND 13% Budget 2014-2020 1,46bn MEDIA CULTURE 31% (454 mio ) 56%

2014-2020 EUROPEAN ADDED VALUE Support activities that are not financed at national level or that can be more efficiently supported at EU level (leverage effect) Transnational character of supported activities (i.e. cross border mobility, networks)

CULTURE SUB-PROGRAMME European cooperation projects (small & large) Mobility, audience development, capacity building (digitisation, new business models, training) 2014-2020

EUROPEAN COOPERATION PROJECTS 292 supported projects in 2014-2017 for 150 million Promoting the mobility of cultural players and the circulation of work of arts Reinforcing the capacity to operate transnationally (skills, competences and know-how of creative players including the use digital technologies, innovative approaches to audience development, new business and management models) Education and Culture Date: in 12 pts

Creative Europe dedicated call "Support to cooperation projects related to the European Year of Cultural Heritage 2018" Projects aiming to: - to reinforce a sense of belonging to acommoneuropeanspace; - to promote cultural heritage as a source of inspiration for contemporary creation and innovation and strengthen the interaction between the cultural heritage sector and other cultural and creative sectors. 68 Eligible applications received, 308 organisations represented, 29 Projects selected for 5 million Up to 200 000 per project (min 3 participating countries) and maximum 60% of the total eligible budget.

AtlantikwallEurope (WWII German defensive line on the Atlantic coast) 10 partners, West-Flanders coordinator, 200.000 (60%) 2 Integrated cultural events (minimum 6 months each) interpreting Atlantic Wall heritage, focused on schools and students 3 Theme events: conferences on today s relevance of Atlantic Wall heritage Creation of a new yearly public event: Bunker Day Europe, focused on WWII heritage for youth and general public Formation of a sustainable network, especially via the Bunker Day Europe organisation and the workshops, creation of Ethical Charter At the end: public AWE Prize

European Conflict Archaeological Landscape Reappropriation(2012-14) Reappropriation of the WWII bunkers of the Atlantik Wall in Norway and of the WWI trenches of Linea Cadorna in Italy. 2 multidisciplinary international workshops organized in Norway and Italy. Closing conference accompanied by a travelling exhibition and the publication of a catalogue to maximize the dissemination of the project s results.

CULTURE SUB-PROGRAMME European networks European platforms Literary translation projects 2014-2020

EUROPEAN NETWORKS 2014-2016: 23 supported projects for 13,8 million 2017: 28 supported networks for 6.4 million Reinforcing the skills, competences and know-how of creative players (including the use digital technologies, innovative approaches to audience development, new business and management models) Strengthen international networking in order to facilitate access to professional opportunities Education and Culture Date: in 12 pts

PLATFORMS 2014-2016: 8 supported platforms for 10.1 million 2017: 15 supported platforms for 7,4 million Stimulating genuine Europe-wide programming of cultural & artistic activities Fostering mobility & visibility of European creators & artists, especially emerging ones and those lacking international exposure Branding strategy Education and Culture Date: in 12 pts

LITERARY TRANSLATION 205 supported projects in 2014 2017 for 12,2 million Support the circulation of European literature through: Support to the translation of European literature Support to the promotion of translated works Education and Culture Date: in 12 pts

2014-2020 EUROPEAN CAPITALS OF CULTURE 2 cities/year use culture as a key factor for their urban development 2017: Aarhus and Pafos 2018: Leeuwarden and Valetta 2019: Plovdiv and Matera

2014-2020 EU PRIZES Contemporary Architecture Cultural Heritage Literature: emerging authors of fiction EBBA: emerging talents in pop, rock and dance music

2014-2020 EUROPEAN HERITAGE LABEL Awarded to sites with a symbolic historical value for the European integration process 38 sites all over Europe

Fort Cadine(Trento, Italy) Fort Cadine, a representative fortification of the defensive system of about 80 such monuments built between 1860 and 1915 in the Trento region, is a reminder of historical divisions, military conflicts and changing borders, and provides the necessary context to better understand the value of open borders and free circulation.

World War I Eastern Front Cemetery No. 123 (Łużna Pustki, Poland) Wartime cemetery No 123, established in 1918 on the Pustkihill is the scene of one of the largest battles of World War I on the Eastern front between the Austro-Hungarian and German armies and the Russian Army: the battle of Gorlice, also called the Verdun of the East. The cemetery is the final resting place for soldiers from these three armed forces, coming from territories that are part of today s Austria, Hungary, Germany, Poland, Ukraine, Russia, Slovenia,.. and from different religious and linguistic backgrounds. The World War I Eastern Front Cemetery No 123 is a place of remembrance embodying the idea of ecumenism, with its identical treatment of the fallen, regardless of their military, ethnic or religious affiliation.

Camp Westerbork(Hooghalen, Netherlands) Camp Westerborkserved as a refugee camp for Jews persecuted by the Nazis until 1942, and then became a transit camp from which Jews, Roma and Sinti were deported to Nazi extermination and concentration camps. After World War II, Dutch nationals suspected of collaborating with the Nazis were imprisoned in the camp. Later, it hosted people returning to the Netherlands from the former Dutch colony of the East Indies, among them a large group of Moluccans. Camp Westerborkhas links to crucial topics in European history such as occupation, persecution, migration, decolonisation and multiculturalism. A museum and monuments of remembrance can today be found on the site of the former camp.

2014-2020 CROSS-SECTORAL STRAND Guarantee Fund to facilitate loans to cultural and creative enterprises & organisations ( 121m in fundraising credits for up to ca.700 million) - Banks investing in portfolios of loans - Loans given to cultural and creative enterprises & organisations

2014-2020 OPPORTUNITIES FOR NON-EU COUNTRIES Selected countries can sign up for Creative Europe Selected projects (excluding special actions) may spend up to 30% of awarded funds in any country in the world

Towards a legacy of the Year - Key themes Engagement Shared heritage: cultural heritage belongs to us all Heritage at school: children discovering Europe's most precious treasures and traditions Youth for heritage: young people bringing new life to heritage Sustainability Heritage in transition: re-imagining industrial, religious, military sites and landscapes Tourism and heritage: responsible and sustainable tourism around cultural heritage Protection Cherishing heritage: developing quality standards for interventions on cultural heritage Heritage at risk: fighting against illicit trade in cultural goods and managing risks for cultural heritage Innovation Heritage-related skills: better education and training for traditional and new professions All for heritage: fostering social innovation and people's and communities participation Science for heritage: research, innovation, science and technology for the benefit of heritage

Heritage in transition: reimagining industrial, religious, military sites and landscapes Aims at promotinggoodpractice and smart ways to transform Europe's industrial, religious and military heritage for new use(r)s; to turn it into a driver of sustainable development for European cities and regions. Target groups: Local/regional authorities and communities, heritage professionals and architects. 3 components European Heritage Label

Component I: Exchange of good practice European Cultural Heritage Summit: Workshop onadaptivereuse, Berlin - 20 June 2018 European Week of Regions and Cities: Workshop on Quality in EU-funded heritage and architectural projects, Brussels 9 October 2018 FRH conference on religious heritage, Paris 11/13 October 2018 Architects' Council of Europe conference on Adaptive Reuse, Leeuwarden 23 November 2018 European Heritage Label

Component II: Engagement Torch of Heritage and Culture: from Leeuwarden (8 January 2018) to Paris (12 October 2018) Work it out! A pan-european dance performance in ERIH sites - 1 May 2018 Europe's Private Heritage Week - 24-27 May 2018 E-Faith activities dedicated to adaptive re-use of industrial heritage - October 2018 European Heritage Label

Component III: Sustainable development Horizon 2020: 4 projects on urban regeneration, landscapes and adaptive reuses of built heritage (ROCK, CLIC, Open Heritage) Erasmus+ projects EuropeTour (cultural tourism in rural areas) and REVAB (open training system on the restoration and reuse of farm buildings) URBACT projects on the reuse of vacant spaces European Heritage Label

Who takes part? EC services dealing with culture, regional development, research and innovation Creative Europe networks: Future for Religious Heritage, European Route of Industrial Heritage (ERIH), Architects' Council of Europe (ACE) ICOMOS Committees: PRERICO (on places of religion and rituals), IcoFort (on military heritage) Urban Group of the European Parliament, European Committee of Regions; Eurocities

CREATIVE EUROPE A budget of 1,85 billion to: Promote European cooperation on cultural and linguistic diversity and heritage Increase the competitiveness of the cultural and creative sectors, in particular the audiovisual sector Strands CULTURE: European cultural and creative sectors with the exception of audiovisual MEDIA: European audiovisual industry CROSS SECTORAL: Actions spanning all cultural and creative sectors; and to support a free, diverse and pluralistic media environment

CREATIVE EUROPE - CULTURE STRAND A budget of 610 million to: Promote cross-border circulation of operators and works Increase cultural participation and social inclusion Generate jobs and growth within the cultural and creative sectors Strengthen European identity and values Contribute to international relations through cultural diplomacy What s new Individual cross-border mobility scheme for artists and cultural professionals More support for promotion of European cultural and creative works beyond the EU Support to specific sectors such as music, books and publishing, architecture and cultural heritage, design, fashion and cultural tourism

The European Council has now tasked the EU to do more in this area and to examine further possible measures addressing, among others, the legal and financial framework conditions for the development of cultural and creative industries and the mobility of professionals of the cultural sector

New European Agenda for Culture Social dimension: social cohesion & well-being New, adaptive approach to shaping our built environment rooted in culture. Ex.: Cultural and Creative Spaces and Cities project Economic dimension: support culture-based creativity in education, innovation and employment Innovation- and culture-led sustainable development in cities and regions Ex.: support Smart Specialisationin culture + EYCH initiative on sustainable tourism

New European Agenda for Culture Externaldimension: strenghten international cultural relations Cross-cutting actions: Action Plan for Cultural Heritage Action Plan on illicit trade in cultural goods Digital4Culture

MORE INFORMATION 2014-2020 http://ec.europa.eu/culture/cr eative-europe/index_en.htm http://ec.europa.eu/culture/to ols/creative-desks_en.htm PHOTOS: SHUTTERSTOCK