The Origins of the First World War

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Transcription:

The Origins of the First World War Providing a new interpretation of the origins of the First World War, this textbook synthesises recent scholarship and introduces the major historiographical and political debates surrounding the outbreak of the war. argues that the war was a far from inevitable outcome of international politics in the early twentieth century and suggests instead that there were powerful forces operating in favour of the maintenance of peace. His fresh perspective on the pre-war international system takes account of new approaches to the study of international politics since the end of the Cold War and the acceleration of globalisation. Thematic chapters examine key issues, including the military, public opinion, economics, diplomacy and geopolitics, and analyse relations between the great powers, the role of smaller states, the disintegrating empires and the July crisis. This compelling account will significantly revise our understanding of diplomacy, political culture, and economic history from 1870 to 1914. william mulligan is a lecturer in the School of History and Archives, University College Dublin. He is the author of The Creation of the Modern German Army (2005).

new approaches to european history Series editors william beik Emory University t. c. w. blanning Sidney Sussex College, Cambridge brendan simms Peterhouse, Cambridge New Approaches to European History is an important textbook series, which provides concise but authoritative surveys of major themes and problems in European history since the Renaissance. Written at a level and length accessible to advanced school students and undergraduates, each book in the series addresses topics or themes that students of European history encounter daily: the series embraces both some of the more traditional subjects of study and those cultural and social issues to which increasing numbers of school and college courses are devoted. A particular effort is made to consider the wider international implications of the subject under scrutiny. To aid the student reader, scholarly apparatus and annotation is light, but each work has full supplementary bibliographies and notes for further reading: where appropriate, chronologies, maps, diagrams, and other illustrative material are also provided. For a list of titles published in the series, please see end of book.

The Origins of the First World War University College Dublin

University Printing House, Cambridge CB2 8BS, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University s mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence. Information on this title: /9780521713948 c 2010 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2010 5th printing 2014 Printed in the United Kingdom by Clays, St Ives plc. A catalogue record for this publication is available from the British Library ISBN 978-0-521-88633-8 Hardback ISBN 978-0-521-71394-8 Paperback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.

Contents List of illustrations List of maps Acknowledgements page vi vii viii 1 Introduction 1 2 Security and expansion: the great powers and geopolitics, 1871 1914 23 3 The military, war, and international politics 92 4 Public opinion and international relations 133 5 The world economy and international politics before 1914 177 6 The July crisis 208 7 Conclusion 227 Bibliography 236 Index 250 v

Illustrations 1. Blood and Iron, by Charles Ernest Butler, 1916 (IWM ART 6492) page 6 2. European sovereigns gather for the funeral of HM King Edward VII at Windsor Castle in Britain (IWM Q 81794) 70 3. The battle cruiser SMS Goeben in the Mediterranean in 1913 (IWM Q 65787) 87 4. The Kaiser greeting his staff during the manoeuvres of 1905 (IWM HU 68475) 94 5. Hiram Maxim sits with the first portable, fully automatic machine gun, which he invented, and a Dundonald gun carriage (IWM Q 81725) 105 6. A Zeppelin and an airship fly over the manoeuvres of 1905 (IWM HU 68469A) 127 7. Crowds in front of the Winter Palace, St Petersburg, 29 July 1914 (IWM Q 81828) 220 All images are used with the permission of the Trustees of the Imperial War Museum, London. vi

Maps 1. The Balkans in 1878 page 28 2. Great power rivalries in the Far East 48 3. The Balkans in 1914 85 vii

Acknowledgements This book, in many respects, is the product of various courses taught at the University of Glasgow and University College Dublin and I would like to thank students who have taken my courses on the history of international relations for their patience, enthusiasm, and scepticism. Amongst my colleagues in Dublin and Glasgow, I would like to thank especially Phil O Brien, Simon Ball, Evan Mawdsley, Mark Freeman, Conan Fischer, Declan Downey, Robert Gerwarth, Judith Devlin, Stuart Ward, and Richard Aldous for their support and interest in this project over the last few years. I am also fortunate to have discussed, in the most convivial of places, some of the ideas of the book with Thomas Otte, Paul Readman, and Peter Holquist. I owe Brendan Simms a profound debt for the encouragement he has offered to me since my days as a doctoral student and I would like to take this opportunity to thank him for his advice and intellectual generosity. The usual rider applies the mistakes and errors are mine alone. I am grateful to Michael Watson, the commissioning editor at Cambridge University Press, for giving me the opportunity to write this book, to have my say, as it were, on the origins of the First World War. In recent years, I have done a good deal of my research in London. I would like to thank my three sisters, Helen, Margaret, and Kate, as well as Kate s husband, Rich, for their kindness and hospitality when I stayed with them in London for extended periods of time. I am grateful for the continued support of my parents, Deirdre and Herbert, over the course of this project. Most importantly of all, I want to thank my wife, Kate. When I first met her, the argument of this book was but a rough idea in my head. Since then her support, her interest, and her unceasing patience have been essential in encouraging me to undertake and to complete this project. This book is dedicated to her. viii