TEXAS PRESS ASSOCIATION CONFERENCE NATIVE CONTENT ON SOCIAL: WHAT WORKS AND WHAT DOESN T?

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TEXAS PRESS ASSOCIATION CONFERENCE @DALEBLASINGAME NATIVE CONTENT ON SOCIAL: WHAT WORKS AND WHAT DOESN T?

A FEW QUESTIONS

If we are not prepared to go and search for the audience wherever they live, we will lose. ISAAC LEE, PRESIDENT OF NEWS AND DIGITAL FOR UNIVISION AND CEO OF FUSION Photo: ISOJ

HOW CAN NEWSROOMS MAKE MONEY DIRECTLY FROM SOCIAL?

HOW CAN NEWSROOMS MAKE MONEY DIRECTLY FROM SOCIAL?

HOW CAN NEWSROOMS MAKE MONEY DIRECTLY FROM SOCIAL? *but it is possible

HOW CAN NEWSROOMS BENEFIT FROM SOCIAL?

HOW CAN NEWSROOMS BENEFIT FROM SOCIAL? I m going to show you five big ways.

FACEBOOK INSTANT ARTICLES

INSTANT ARTICLES Now appearing in NewsFeed 18 publishers: The New York Times, NBC News, The Atlantic, BuzzFeed, National Geographic, Cosmopolitan, Daily Mail, The Huffington Post, Slate, Vox Media, Mic, MTV News, The Washington Post, The Dodo, The Guardian, BBC News, Bild Load 10x faster than standard web articles

INSTANT ARTICLES Let s talk money 100% of ad revenue news orgs sell on their own If Facebook sells the ads: It keeps 30 percent of revenue

COMING SOON TO INSTANT ARTICLES Billboard, Billy Penn, The Blaze, Bleacher Report, Breitbart, Brit + Co, Business Insider, Bustle, CBS News, CBS Sports, CNET, Complex, Country Living, Cracked, Daily Dot, E! News, Elite Daily, Entertainment Weekly, Gannett, Good Housekeeping, Fox Sports, Harper s Bazaar, Hollywood Life, Hollywood Reporter, IJ Review, Little Things, Mashable, Mental Floss, mindbodygreen, MLB, MoviePilot, NBA, NY Post, The Onion, Opposing Views, People, Pop Sugar, Rare, Refinery 29, Rolling Stone, Seventeen, TIME, Uproxx, US Magazine, USA Today, Variety, The Verge, The Weather Channel

The first thing we re seeing is that people are more likely to share these articles, compared to articles on the mobile web, because Instant Articles load faster. We believe that sharing is the strongest signal that someone can give that it was a great experience. MICHAEL RECKHOW, FACEBOOK (COURTESY: HARVARD NIEMAN LAB)

FACEBOOK NATIVE VIDEO

FACEBOOK NATIVE VIDEO Videos are uploaded directly to Facebook Autoplay when scrolled across in News Feed 8 billion daily views 75% of views globally are on mobile 53% of all video views come from shares

1. TRIBUNE BROADCASTING

TRIBUNE BROADCASTING Owns or operates 42 stations across the U.S. 6.4 million combined likes on Facebook 20 million+ combined Facebook video plays each month

What we re doing is using either different pieces of content or subsets of that piece of content, and not in the form of a tease, but giving the meat. If there s 15 amazing seconds of a 1:30 piece of video, that s the 15 seconds that s going on Facebook. Not the 15 seconds before it and saying Click here to watch the good part. STEVE BARON, TRIBUNE BROADCASTING VP OF DIGITAL

TRIBUNE S BIG PICTURE As the number of native video views on Facebook has dramatically increased, the number of video views on the station websites has also dramatically increased Baron: There is no cannibalization. Also seeing jump in brand awareness

STATION A: MEDIUM-SIZED MARKET, HAS NOT USED NATIVE VIDEO IN PAST 30 DAYS FACEBOOK INSIGHTS DATA PROVIDED BY TRIBUNE BROADCASTING

STATION B: TOP-20 MARKET, USES NATIVE VIDEO, ISN T ON POINT WITH STRATEGY FACEBOOK INSIGHTS DATA PROVIDED BY TRIBUNE BROADCASTING

STATION C: LOVES NATIVE VIDEO AND FINDS IT IMPORTANT FACEBOOK INSIGHTS DATA PROVIDED BY TRIBUNE BROADCASTING

2. HLN S THE DAILY SHARE

HLN S THE DAILY SHARE Reversed the development pipeline Social channels launched in September 2014 TV show launched in January 2015 Used social for brand development, audience development and content R&D in public

HLN S THE DAILY SHARE Using social data to come up with daily TV rundowns First six months on social: One billion video views Inspirational stories tend to be best for native Facebook video

NATIVE VIDEO POSTED TO THE DAILY SHARE AND HLN IN APRIL COMBINED 36.7 MILLION VIEWS Equivalent of a 13.2 national rating

The art of building an audience is being available to them where they are. The work we re doing is creating stories worth watching and helping them get in front of people who will appreciate them. Our business is to create good content not just good television. LILA KING, HLN

THE DAILY SHARE RATINGS Since its launch, The Daily Share is outperforming MSNBC by +33% in 18-49 and +2% in 25-54 The Daily Share is up +6% in 18-49 demo from previous HLN programming in its time slot a year ago Ratings information provided by HLN

Before you can monetize something, you have to build an audience. That s the stage we re in, and that s what we re focusing on right now. LILA KING, HLN

BTW, SILENT VIDEO IS BACK

Medium - June 4

These stories have a very quick turnaround, from 30 minutes to a couple hours depending on the complexity of the story and the way in which we are telling it. We purposely have formatted these pieces to be very simple and easy to push out so our team can be dynamic and respond to news as it breaks. JIGAR MEHTA, ENGAGEMENT LEAD AT AJ+

CREATING A SILENT VIDEO Hook them quickly: This means a visually engaging first five seconds of the video Silent means silent: It is common knowledge that the majority of people on Facebook are watching these videos with the sound turned off which means utilize captions, music beds and quality video: Many AJ+ videos have no narration - Quotes from Jigar Mehta

FACEBOOK MENTIONS

SNAPCHAT

SNAPCHAT ComScore: 45% of Snapchat users are 18-24 The Verge looks to take users on an adventure (live events or cool moments) Can see how many users opened a story and then opened the next

We do not approach Snapchat as a way to drive site traffic. Your core strategy can't be to get your fans to visit another platform, or they simply won't engage with you. You have to come to them on their own terms and create content for that platform, even if the audience development efforts can't be tied to short-term monetization. HELEN HAVLAK, ENGAGEMENT EDITOR AT THE VERGE

CHALLENGES OF SNAPCHAT REPORTING There s usually no time for a video person to be involved. You just send your reporter out to do it. There s no way to save a snap and get it approved. You have to trust your people to use their best judgment. - According to Helen Havlak

If we want to go after those younger readers and get them invested in our brand, our writers and our content, Snapchat is where we need to be. But even beyond the business case, it's one of the places we can take risks with new types of video content and gauge how our followers react. HELEN HAVLAK, ENGAGEMENT EDITOR AT THE VERGE

PERISCOPE, INSTAGRAM, PINTEREST AND OTHERS

OTHER SOCIAL NETWORKS Different networks = totally different audiences Great places to experiment Periscope: Live news conferences (lots of orgs), live product demos (The Verge) or live chats (Mashable)

. Some of the failures have been not moving as quickly on some trends. Waiting to see what was going to happen. Doing competitive research instead of just getting in there and doing it. STACY MARTINET, MASHABLE Photo: NYU

OTHER SOCIAL NETWORKS Instagram: Beautiful pictures (lots of orgs), archive content (Chicago Sun-Times) or shorter videos (AJ+) with no links Pinterest: Largely female audience

The auto community on Pinterest is actually huge so content from our new transportation hub tends to be among our top-performing. Beyond that, we rely heavily on our science stories, original product photography, design profiles and entertainment coverage to drive Pinterest engagement and reach a more balanced audience. HELEN HAVLAK, ENGAGEMENT EDITOR AT THE VERGE

NATIVE AD CONTENT

8.9 MILLION VIEWS ON YOUTUBE

CONTENT PEOPLE WANT TO CONSUME/SHARE

YOU KNOW FOCUS ON THE AUDIENCE Content delivered where they are Not just any content - *unique* content Unique content tailored to that particular platform Doesn t have to be puppies or kittens (I promise)

BENEFITS OF UNIQUE CONTENT ON SOCIAL 1. More (younger) eyeballs on your work 2. Higher ratings/traffic 3. Brand awareness 4. More knowledge about your audience 5. Additional revenue

If we are not prepared to go and search for the audience wherever they live, we will lose. ISAAC LEE, PRESIDENT OF NEWS AND DIGITAL FOR UNIVISION AND CEO OF FUSION Photo: ISOJ

THANK YOU. @DALEBLASINGAME